Art critic Andrew Graham-Dixon visits an exhibition at the Fitzwilliam Museum, Cambridge, which contains a treasure trove of the world's most important illuminated manuscripts. Germaine Greer joins the modern-day illustrator Quentin Blake to consider the religious and political power of these beautiful medieval masterpieces, and to assess their place in the history of art and book production.
https://www.youtube.com/watch?v=zuME-DcksYo&noredirect=1
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